CPCD #9 – Camera, Meet Bear… Bear, Meet Camera

Remember what a CPCD is? If not, here’s an explanation.

This is what a rather small black bear can do to your camera – namely mine (although the story is going to sound much more impressive when I tell everyone it was a 900-pound grizzly that I had to wrestle in order to get the camera back in my possession).

Enjoy this post? Please leave a comment or Subscribe to Earth and Light!

| 7 Comments
Posted in CPCD | Tagged

New Image Galleries on Website

One of the downsides to all my traveling lately is the lack of updating my website’s image galleries on a timely basis. I get many comments to that effect quite often, both in person and via email. Well now that I’ve had some time to catch my breath as well as some quality time in my home office, I’ve been able to catch up.

You can judge for yourself as to whether or not the effort was worth it: Earth and Light Galleries

Enjoy this post? Please leave a comment or Subscribe to Earth and Light!

| Leave a comment
Posted in Announcements, Images | Tagged , ,

Vignettes from Namibia: Sossusvlei and Deadvlei

The Sossusvlei and Deadvlei areas of Namibia’s Namib-Naukluft National Park are true photographer’s paradises. I know this sounds like hyperbole and many locations are referred to as such, but in this case the claim really is true. The largest, most majestic sand dunes in the world reside here, as well as a surreal forest of dead camel thorn trees and a modest amount of wildlife too. Here are a sample of images from this area captured in May and June of this year. By the way, openings for the Wild Namibia Photo Tours 2015 are still available.

“Sweet Spot” Deadvlei, Namibia. Canon EOS 5D Mark III, Canon EF 70-200mm f/4L USM @ 93mm, 1/15 second @ f/11, ISO 100. Multiple exposures taken at various distances and focus stacked in Adobe Photoshop CC. As darkness fell over the Deadvlei pan, I caught the last bit of light on the dunes while using one tree as a frame for another.

“Sossusvlei” Canon EOS 5D Mark III, Canon EF 70-200mm f/4L USM @ 200mm, 1/320 second @ f/10, ISO 320. These dunes are the biggest in the world and yes, they are just as impressive in person.

“Casting Shadows” Deadvlei, Namibia. Canon EOS 5D Mark III, Canon EF16-35mm f/2.8L II USM @ 16mm, 1/60 second @ f/20, ISO 125.  Shadows create powerful radial lines across the hard clay pan of Deadvlei.

“Halloween Trees” Deadvlei, Namibia. Canon EOS 5D Mark III, Canon EF24-105mm f/4L IS USM @ 105mm, 1/50 second @ f/11, ISO 200.  When the dunes throw their shadows over the pan, the trees are transformed into frightening, nightmarish figures.

 

“Clean Cut” Namib Naukluft National Park, Namibia. Canon EOS 5D Mark III, Canon EF 200-400mm f/4L IS USM EXT @ 560mm, 1/80 second @ f/11, ISO 320. 560mm? Who ever said that super telephoto lenses were only for wildlife?

“Black Backed Jackel” Sossusvlei, Namibia. Canon EOS 5D Mark III, EF16-35mm f/2.8L II USM @ 33mm, 1/160 second @ f/14, ISO 125, fill flash. 33mm? And who said wide-angle lenses were only for landscapes?

“Isolation” Deadvlei, Namibia. Canon EOS 5D Mark III, Canon EF 70-200mm f/4L USM @ 70mm, 1/30 second @ f/11, ISO 100. Complex compositions are visually engaging and challenging but sometimes simple delivers a stronger emotional punch.

Enjoy this post? Please leave a comment or Subscribe to Earth and Light!

| 10 Comments
Posted in Images | Tagged , ,

Vignettes from Namibia: Kolmanskop

Kolmanskop is the remains of what once was a thriving town built around an equally successful diamond mine near the port city Luderitz in southern Namibia. Once the diamond production declined after World War II, the residents slowly left the settlement and it was eventually abandoned in 1954. Located in the middle of the Namib desert, the ghost town quickly surrendered to the forces of nature – sand and wind – while the arid climate preserved much of what was left behind. It’s one of the most fun and challenging places to photograph!

For information on my Namibia 2015 Photo Tours, check out the Epic Destinations website.

“Doors of Illusion” Canon EOS 5D Mark III, Canon 16-35mm @ 20mm, 8 seconds @ f/16, ISO 200

“Better Times” Canon EOS 5D Mark III, Canon 1-35mm @ 27mm, 0.6 second @ f/16, ISO 125

“Departed” Canon EOS 5D Mark III, Canon 16-35mm @ 21mm, 4 seconds @ f/14, ISO 125

“The Indigo Room” Canon EOS 5D Mark III, Canon 16-35mm @ 16mm, 5 seconds @ f/16, ISO 160

“Emptiness” Canon EOS 5D Mark III, Canon 15-35mm @ 26mm, 30 seconds @ f/11, ISO 100

“Faded Memories” Canon EOS 5D Mark III, Canon 16-35mm @ 16mm, 5 seconds @ f/14, ISO 125

Enjoy this post? Please leave a comment or Subscribe to Earth and Light!

| 7 Comments
Posted in Images | Tagged , ,

Shoot to Thrill

Sparring Red Hartebeests, Etosha National Park, Namibia

Sparring Red Hartebeests, Etosha National Park, Namibia

“When this is in your hands, you are the center of the universe. Not that anything else exists, it certainly does. You are important, this thing empowers you to do whatever the hell you want.” – Mel DiGiacomo, photojournalist

“On the barrel, pretty white letters spelled out PARTY STARTER.” - Ilona Andrews, Gunmetal Magic

On the tediously long flight from Washington to Johannesburg, I was seated among a small group of middle-aged men decked out in the latest camouflaged fashions. They were, as they say, all in. The affected clothing items and accruements included, but were not limited to, jackets, ball caps, handbags, boots, eyeglass and phone cases, one eye patch, and a tee shirt emblazoned with block letters:

GUN CONTROL IS BEING ABLE TO HIT YOUR TARGET

A hunting party, no doubt.

At this realization, I was for the briefest of moments shocked that these grown men were traveling a great distance to kill the same creatures I was planning to photograph. I was also somewhat shocked at my own naïveté since African hunting safaris have a much longer history and steeper tradition than wildlife photography after all. Grainy black and white photographs of the be speckled Teddy Roosevelt, rifle in hand grinning over the corpse of some poor Cape buffalo, come immediately to mind.

While casting no judgments on hunting in general – for sustenance (if and when necessary) and as a management tool with oversight by the appropriate authorities (for the benefit of wildlife or a specific species) – I must confess that killing for sport or trophy alone sickens me, especially African megafauna which has been in precipitous decline in recent years.

Either way, for better or worse, I have zero interest in participating myself. I know many wildlife photographers who are former hunters and they’ve all intimated that the primal “thrill of the kill” is the same, only a good wildlife image is much more challenging. The human predatory instinct is propitiated but without the blood, guts, and guilt. Photography is also more of what I would call a sporting proposition, in that both participants are able to safely walk away from the encounter.

Still, in many ways, photography and firearms are inextricably married, with language the most common bond. For instance, a camera is still said to be fired and so is a flash gun. A collection of lenses is often referred to as an arsenal and all lenses of course have a barrel. Super telephotos are big guns while small fully automatic, pocket-sized cameras are point-and-shoot. So without even having to mention headshot you should already be getting my drift here.

I feel the primary complication lies with the ambiguity of the words shoot and shot. A portrait photographer’s Twitter bio might include “I shoot people,” a joke that ceased being funny a long time ago, if for no other reason it’s breathtakingly unoriginal and old. If they mention that they can legally cut people’s heads off, well, then that makes it fractionally funnier.

Shot is a cute, amputated form of the word snapshot, borrowed yet again from weaponry and born in the early 19th century meaning, “a quick shot with a gun, without aim, at a fast-moving target.” Some photographers, I fear, might feel this definition hits a bit too close to home.

I use the words shoot or shot from time to time, but I try to do so as infrequently as possible. It’s not because of the words’ possibly violent tones but instead I find them to be rather inelegant and crude. As a substitute for shot, I prefer image or photo. Image is snazzy and modern, fully appropriate for the age of digital cameras and smartphones – digital imagery. Stretching photo all the way out into photograph sounds a bit too old fashioned and implies, at least to me, a tangible print. The same goes for picture. The slang pic should always be avoided if you are older than 25 or if used outside the context of an online chat. Under no circumstances should it ever be verbalized. Capture, used as either a noun or verb is gaining in popularity but has never fully caught on with me. Epic capture or I captured the sunset tonight is either too disconnected from photography or far too hip for its own good.

I think it’s time we all joined together to find some new terminology.

On the same recent flight mentioned earlier, I was told of a U.S State Department bulletin warning travelers to Johannesburg’s Tambo International Airport of thieves and muggers posing as taxi operators, an unsettling possibility.

As I carefully deliberated over my transportation options upon arrival, a friendly young driver approached and offered a ride to my hotel at a reasonable price. I searched for any clues in his appearance – a ridiculous and futile exercise – then followed him out to his car, which had an illuminated “taxi” sign perched on its rooftop – a good sign indeed.

When he asked about the purpose of my visit, I cryptically replied, “Shooting animals,” just as he reached for my luggage and opened the trunk.

“Ah yes, hunting?”

“You could say that.”

Before the trunk was closed, I reached for my oversized camera pack and said casually, “I’d prefer to keep the guns up front with me.”

May, 2014 – Johannesburg, South Africa

Enjoy this post? Please leave a comment or Subscribe to Earth and Light!

| 7 Comments
Posted in Essays | Tagged ,