Vignettes from Colorful Cartagena

My seat number on the LAN Airlines flight from Bogota to Cartagena was 13C, which made me smile. Most airlines employ the childish practice of omitting the 13th row from their seating charts (as many skyscrapers skip the 13th floor as well) so I felt this was at least an enlightened start to this leg of my Colombia/Brazil photo trip. Honestly, I’ve never seen nor heard of an incident where only the 13th row crashed while every other passenger arrived unharmed and in one piece.

Despite the relatedly short two-hour flight between the two Colombian cities you soon realize upon arriving that they are worlds apart in almost every other way. I’ve spent quite a bit of time in Bogota and I’ve found it to be rather cold (elevation 8700 feet) and perpetually cloudy. The city is bathed in somber grey tones and it’s citizens wear dark colors and serious demeanors. Don’t get me wrong, it’s a delightful city. You know I love you, Bogota.

Cartagena is an eye-opening contrast. The weather is hot and sunny. People wander the streets in surf shorts and immodest bikinis while upbeat and cheerful music blares from every street corner. It could be one of the happiest and most colorful cities on Earth.

So here are a few of the outtakes from this trip. The selects are in possession of my client (I was on an assignment) so I hope this helps illustrate the feel and colors of marvelous Cartagena!

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Richard Is Guest Blogger on Scott Kelby’s Photoshop Insider

“Brooks Falls” Katmai National Park and Preserve, Alaska. Canon EOS 5D Mark III, EF200-400mm f/4L IS USM EXT @ 280mm, 1/13 second @ f/14, ISO 100

Catch my most recent essay, It’s The Destination, on Scott Kelby’s Photoshop Insider.

After a very successful trip to British Columbia and Alaska last month, I am now in the process of preparing to travel to South America – Colombia and Brazil for some teaching, cultural and street photography, and chasing down the elusive jaguar in the Pantanal wetlands! Enjoy your day everyone and I’ll be checking back with you soon.

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CPCD #9 – Camera, Meet Bear… Bear, Meet Camera

Remember what a CPCD is? If not, here’s an explanation.

This is what a rather small black bear can do to your camera – namely mine (although the story is going to sound much more impressive when I tell everyone it was a 900-pound grizzly that I had to wrestle in order to get the camera back in my possession).

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New Image Galleries on Website

One of the downsides to all my traveling lately is the lack of updating my website’s image galleries on a timely basis. I get many comments to that effect quite often, both in person and via email. Well now that I’ve had some time to catch my breath as well as some quality time in my home office, I’ve been able to catch up.

You can judge for yourself as to whether or not the effort was worth it: Earth and Light Galleries

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Vignettes from Namibia: Sossusvlei and Deadvlei

The Sossusvlei and Deadvlei areas of Namibia’s Namib-Naukluft National Park are true photographer’s paradises. I know this sounds like hyperbole and many locations are referred to as such, but in this case the claim really is true. The largest, most majestic sand dunes in the world reside here, as well as a surreal forest of dead camel thorn trees and a modest amount of wildlife too. Here are a sample of images from this area captured in May and June of this year. By the way, openings for the Wild Namibia Photo Tours 2015 are still available.

“Sweet Spot” Deadvlei, Namibia. Canon EOS 5D Mark III, Canon EF 70-200mm f/4L USM @ 93mm, 1/15 second @ f/11, ISO 100. Multiple exposures taken at various distances and focus stacked in Adobe Photoshop CC. As darkness fell over the Deadvlei pan, I caught the last bit of light on the dunes while using one tree as a frame for another.

“Sossusvlei” Canon EOS 5D Mark III, Canon EF 70-200mm f/4L USM @ 200mm, 1/320 second @ f/10, ISO 320. These dunes are the biggest in the world and yes, they are just as impressive in person.

“Casting Shadows” Deadvlei, Namibia. Canon EOS 5D Mark III, Canon EF16-35mm f/2.8L II USM @ 16mm, 1/60 second @ f/20, ISO 125.  Shadows create powerful radial lines across the hard clay pan of Deadvlei.

“Halloween Trees” Deadvlei, Namibia. Canon EOS 5D Mark III, Canon EF24-105mm f/4L IS USM @ 105mm, 1/50 second @ f/11, ISO 200.  When the dunes throw their shadows over the pan, the trees are transformed into frightening, nightmarish figures.

 

“Clean Cut” Namib Naukluft National Park, Namibia. Canon EOS 5D Mark III, Canon EF 200-400mm f/4L IS USM EXT @ 560mm, 1/80 second @ f/11, ISO 320. 560mm? Who ever said that super telephoto lenses were only for wildlife?

“Black Backed Jackel” Sossusvlei, Namibia. Canon EOS 5D Mark III, EF16-35mm f/2.8L II USM @ 33mm, 1/160 second @ f/14, ISO 125, fill flash. 33mm? And who said wide-angle lenses were only for landscapes?

“Isolation” Deadvlei, Namibia. Canon EOS 5D Mark III, Canon EF 70-200mm f/4L USM @ 70mm, 1/30 second @ f/11, ISO 100. Complex compositions are visually engaging and challenging but sometimes simple delivers a stronger emotional punch.

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