Sometime around January 1 of each year, I would post my top 10 or 11 or 12 images from the previous twelve months here on the Earth and Light Blog. For 2012, for example, I posted a 12 for ’12: The Year’s Best. For this past year, however, I decided to do something a bit different. Instead of just listing my favorite images, I instead wanted to share some insights into how some of these were made – not necessarily my favorites – and what was going on at the time. Some short stories, in other words.
Oryx on the Pan
After a 20-minute hike over loose, unstable sand, Ian Plant and I crested the last dune and looked down upon the bright clay pan known as Deadvlei, home to surreal landscapes of barren earth, red dunes, and dead camelthorn trees. This is one of the most iconic photo locations in Namibia and a must stop during our two-week scouting tour in this country. When we descended to the pan, I spied a lone oryx – also known locally as a gemsbok – slowly walking across the hard clay surface. I thought there might be the possibility for a compelling shot here. What animal is crazy enough to live and survive in this harsh environment? It seemed wildly odd yet captivating. But by the time I retrieved the camera from the pack and mounted the telephoto lens, the oryx took off running. This is not a shock. It’s a well known but little understood natural law to which photographers are frequent victims.
Leaving my pack and tripod behind, I shadowed the oryx while running at full speed, with the hope of getting a chance. I wasn’t chasing, but rather moving parallel with it’s direction from 80 yards out, hoping for more than just a photo of it’s rear end. I could see the composition coming together as I ran- strong sidelight on the oryx and pan, diagonal shadow on the dunes, screaming color – all I needed was for this little guy to stop for 5 seconds – FIVE LOUSY SECONDS!
And of course (you guessed right) it did – for about five seconds – just a few meters before it would have been lost to the deep shadows on the right side of the image frame. I managed not to screw up the fleeting opportunity and I was pleased with the 3 frames I recorded, one of which you see above. Canon 5D Mark III, Canon 100-400mm @ 400mm, 1/800 second @ f8, ISO 320.
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