Category Archives: Images

Vignettes: Wildlife of the Galapagos

Last month I had the privilege of spending 8 days in the beautiful Galapagos Islands of Ecuador. These islands are often referred to as “A Living Museum” and it doesn’t take long to understand why. It’s a paradise for any wildlife lover or photographer.

Most of the images here were created with my new Canon 7D Mark II and the incomparable Canon EF200-400mm f/4L IS USM. An ideal combination for wildlife shooting.

In January of 2016, I will be leading a Photography Tour of the Galapagos aboard the luxury yacht, Beluga. Send me an email of you are interested or have questions about this trip. Enjoy the images!

Galapagos Flycatcher, Galapagos, Ecuador. Canon EOS 7D Mark II, Canon EF200-400mm f/4L IS USM @ 400mm, 1/800 second @ f/5.6, ISO 2000

Diving brown pelican, early morning with warm backlighting, Galapagos, Ecuador. Canon EOS 7D Mark II, Canon EF200-400mm f/4L IS USM @ 381mm, 1/1600 second @ f/4, ISO 400

Galapagos giant tortoise, Galapagos, Ecuador. Canon EOS 7D Mark II Canon EF200-400mm f/4L IS USM @ 200mm, 1/640 second @ f/4, ISO 1000

Sea lion diving, Galapagos, Ecuador. Canon EOS 5D Mark III, Canon EF24-105mm f/4L IS USM @ 24mm, 1/400 second @ f/8, ISO 800

Marine Iguana, Galapagos, Ecuador. Canon EOS 7D Mark II Canon EF200-400mm f/4L IS USM @ 400mm, 1/800 second @ f/4, ISO 800

Blue-footed booby, Galapagos, Ecuador. Canon EOS 7D Mark II, Canon EF200-400mm f/4L IS USM @ 560mm, 1/1600 second @ f/6.3, ISO 320

Sea turtle surfacing, Galapagos, Ecuador. Canon EOS 5D Mark III, Canon EF24-105mm f/4L IS USM @ 32mm, 1/320 second @ f/10, ISO 1000

Sally Lightfoot crabs in the surf, Galapagos, Ecuador. Canon EOS 5D Mark III, Canon EF24-105mm f/4L IS USM @ 55mm, 0.6 second @ f/18, ISO 100

Adolescent brown pelican, Galapagos, Ecuador. Canon EOS 7D Mark II Canon EF200-400mm f/4L IS USM @ 519mm, 1/1250 second @ f/5.6, ISO 1000

Greater Flamingo, Galapagos National Park, Ecuador. Canon EF200-400mm f/4L IS USM @ 560mm, 1/800 second @ f/5.6, ISO 200

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Favorite Images of 2014

Yes, it’s that time of year again. This is when I catch my breath during the holiday season, sit down at the computer with a strong drink and look back on my work over this past year: the boneheaded mistakes, missed opportunities, and several hundred things I would do differently if I had the opportunity to replay 2014 all over again. Oh well, there’s always 2015 to make amends.

These ten images are my personal favorites, not necessarily the most popular or successful. Each is a favorite for a different reason but mostly because I didn’t do one of the above while something fantastic was happening in front of my lens. Following each image is a brief stream-of-consciousness commentary. Enjoy – and Happy New Year to you all!

 

Radiance: Arches National Park, Utah, USA (April 27, 2014). Lucky shot in a lame location. Not a whole lot of skill or vision was necessary to capture this scene. Still, I can’t help but laugh each time I see this image because of the humerous circumstances surrounding the shoot with some of my workshop students. Let’s just say you just had to be there…

Canon EOS 5D Mark III, Canon EF24-105mm f/4L IS USM @ 50mm, 1/60 second @ f/7.1, ISO 400

 

Phantom’s Gaze, Mountain Lion, Height of the Rockies Provincial Park, British Columbia, Canada (September 8, 2014). A haunting image of a once-in-a-lifetime encounter in the wild. A moment I’ll certainly never forget.

Canon EOS 5D Mark III, Canon EF200-400mm f/4L IS USM EXT @ 560mm, 1/500 second @ f/5.6, ISO 1000

 

Namib Riddle: Namib-Naukluft National Park, Namibia (May 29, 2014). I’ve been asked more than a few times about the title of this image. “What’s the riddle?” people would inquire, looking for a profound, hidden meaning. “And what’s the answer?” There is no answer and there is no riddle. It just looks like a giant question mark to me.

Canon EOS 5D Mark III, Canon EF200-400mm f/4L IS USM EXT @ 560mm, 1/80 second @ f/11, ISO 320

 

Hide and Seek, Ibra Market, Sultanate of Oman (April 2, 2014). This one just makes me smile. The people of Oman were so fun and friendly. More images of Oman here.

Canon EOS 5D Mark III, Canon EF24-105mm f/4L IS USM @ 105mm, 1/80 second @ f/8, ISO 200

 

Light Flight – Flying Zebra: Serengeti National Park, Tanzania (June 24, 2014). This image represents the biggest commercial success of any other in 2014. It’s been either licenced to or published in over a half dozen magazines all over the world (not too shabby considering it was captured in June) and some of these magazines you might have even heard of.

Canon 5D Mark III, Canon EF200-400mm f/4L IS USM @ 400mm, 1/640 second @ f/8, ISO 640

 

Mantled Howlers: Osa Peninsula, Costa Rica (December 1, 2014). Strong backlighting, edge-of-your-seat drama, and the cuteness (awwww) factor in an exotic place. It’s a tough combination to beat.

Canon EOS 7D Mark II, EF200-400mm f/4L IS USM @ 280mm, 1/640 second @ f/5.6, ISO 640

 

Into the Light: Fez, Morocco (February 5, 2014). The man lurking in the shadows looks like a hooded medieval executioner about to exercise his duties on some poor soul. It gives me the creeps yet I can’t look away.

Canon EOS 5D Mark III, Canon EF16-35mm f/2.8L II USM @ 22mm, 3.2 seconds @ f/5.6, ISO 500

 

The Grand Strand, Etosha National Park, Namibia (June 3, 2014). Another fantastic moment in the wild but I had to make some decisions on how it was going to be presented, i.e. processed. Try as I might to preserve details in the shadowed middle ground, I eventually opted for the version above. It tells the same story while infusing just a touch of mystery too.

Canon EOS 7D, Canon EF70-200mm f/4L USM @ 78mm, 1/250 second @ f/7.1, ISO 200

 

Cordillera Light: Torres del Paine National Park, Chile (March 17, 2014). Here was a set of circumstances where I thought everything would come together perfectly: a composition I really liked and approaching light at sunrise. The light, however, never really happened. This was taken moments before the light should have erupted over the scene, a faint blush of alpenglow on the upper peaks and clouds, but quickly faded to grey.

Canon EOS 5D Mark III, Canon EF16-35mm f/2.8L II USM @ 25mm, 2 seconds @ f/16, ISO 100

 

Essential: Deadvlei, Namibia (June 15, 2014). It’s no coincidence that three of my top ten favorites in 2014 come from Namibia. This country is a photographer’s paradise. Can you believe we still have a few spots open for my Wild Namibia photography tours in 2015?

Canon EOS 5D Mark III, Canon EF70-200mm f/4L USM @ 94mm, 1/15 second @ f/13, ISO 100

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Vignettes from Colorful Cartagena

My seat number on the LAN Airlines flight from Bogota to Cartagena was 13C, which made me smile. Most airlines employ the childish practice of omitting the 13th row from their seating charts (as many skyscrapers skip the 13th floor as well) so I felt this was at least an enlightened start to this leg of my Colombia/Brazil photo trip. Honestly, I’ve never seen nor heard of an incident where only the 13th row crashed while every other passenger arrived unharmed and in one piece.

Despite the relatedly short two-hour flight between the two Colombian cities you soon realize upon arriving that they are worlds apart in almost every other way. I’ve spent quite a bit of time in Bogota and I’ve found it to be rather cold (elevation 8700 feet) and perpetually cloudy. The city is bathed in somber grey tones and it’s citizens wear dark colors and serious demeanors. Don’t get me wrong, it’s a delightful city. You know I love you, Bogota.

Cartagena is an eye-opening contrast. The weather is hot and sunny. People wander the streets in surf shorts and immodest bikinis while upbeat and cheerful music blares from every street corner. It could be one of the happiest and most colorful cities on Earth.

So here are a few of the outtakes from this trip. The selects are in possession of my client (I was on an assignment) so I hope this helps illustrate the feel and colors of marvelous Cartagena!

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New Image Galleries on Website

One of the downsides to all my traveling lately is the lack of updating my website’s image galleries on a timely basis. I get many comments to that effect quite often, both in person and via email. Well now that I’ve had some time to catch my breath as well as some quality time in my home office, I’ve been able to catch up.

You can judge for yourself as to whether or not the effort was worth it: Earth and Light Galleries

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Vignettes from Namibia: Sossusvlei and Deadvlei

The Sossusvlei and Deadvlei areas of Namibia’s Namib-Naukluft National Park are true photographer’s paradises. I know this sounds like hyperbole and many locations are referred to as such, but in this case the claim really is true. The largest, most majestic sand dunes in the world reside here, as well as a surreal forest of dead camel thorn trees and a modest amount of wildlife too. Here are a sample of images from this area captured in May and June of this year. By the way, openings for the Wild Namibia Photo Tours 2015 are still available.

“Sweet Spot” Deadvlei, Namibia. Canon EOS 5D Mark III, Canon EF 70-200mm f/4L USM @ 93mm, 1/15 second @ f/11, ISO 100. Multiple exposures taken at various distances and focus stacked in Adobe Photoshop CC. As darkness fell over the Deadvlei pan, I caught the last bit of light on the dunes while using one tree as a frame for another.

“Sossusvlei” Canon EOS 5D Mark III, Canon EF 70-200mm f/4L USM @ 200mm, 1/320 second @ f/10, ISO 320. These dunes are the biggest in the world and yes, they are just as impressive in person.

“Casting Shadows” Deadvlei, Namibia. Canon EOS 5D Mark III, Canon EF16-35mm f/2.8L II USM @ 16mm, 1/60 second @ f/20, ISO 125.  Shadows create powerful radial lines across the hard clay pan of Deadvlei.

“Halloween Trees” Deadvlei, Namibia. Canon EOS 5D Mark III, Canon EF24-105mm f/4L IS USM @ 105mm, 1/50 second @ f/11, ISO 200.  When the dunes throw their shadows over the pan, the trees are transformed into frightening, nightmarish figures.

 

“Clean Cut” Namib Naukluft National Park, Namibia. Canon EOS 5D Mark III, Canon EF 200-400mm f/4L IS USM EXT @ 560mm, 1/80 second @ f/11, ISO 320. 560mm? Who ever said that super telephoto lenses were only for wildlife?

“Black Backed Jackel” Sossusvlei, Namibia. Canon EOS 5D Mark III, EF16-35mm f/2.8L II USM @ 33mm, 1/160 second @ f/14, ISO 125, fill flash. 33mm? And who said wide-angle lenses were only for landscapes?

“Isolation” Deadvlei, Namibia. Canon EOS 5D Mark III, Canon EF 70-200mm f/4L USM @ 70mm, 1/30 second @ f/11, ISO 100. Complex compositions are visually engaging and challenging but sometimes simple delivers a stronger emotional punch.

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