Tag Archives: Iceland

Incredible Iceland in Pop Photo

“Behind the Falls” Southern Iceland’s Seljalandsfoss on a bright, sunny evening.

I have a new article published in the May issue of Popular Photography magazine entitled Incredible Iceland. That’s their title, not mine. My preferred Warming up to Iceland was a bit too cute for them, I suppose. Anyway, the article begins on page 50 with the above image as the opening spread. The colors in the magazine are printed rather dark and dull, so enjoy this version before you read the printed word.

“Behind the Falls” at Seljalandsfoss was created during last year’s Epic Iceland tour and it was my favorite take from this location. I experimented with different shutter speeds, as I usually do, and this one – 1/250 of a second – projected the look and feel for which I was aiming. I really like the cascading water effect rather than the smooth, silky look of a longer exposure for this image. I’m often asked about “rules” concerning exposure times when handling moving water. No, there are no rules but I do have a few guidelines.

First, and this is strictly personal, I prefer to keep some detail and texture to the water. Long exposures that turn moving water into featureless white blobs smeared across the image frame do absolutely nothing for me. I want to keep the water’s texture and detail while still creating the illusion of motion.

Second, the heavier the water, the shorter the shutter speed. This goes back to what I just said above. It’s much more difficult to retain that texture and detail with heavy, fast whitewater than lighter water flows.

Third, since I am almost always much more interested in how the image will make people feel rather than how it will look, I want to ask myself how the choice of shutter speed will affect its emotional impact on the viewers. My own experience and emotional reaction to the scene will dictate that choice. For example, large waterfalls that move heavy volumes of water project power and rage and I want that emotional trigger embedded in the image so that viewers can feel that power, rage, or fury too, even if they can’t feel the ground vibrate or hear the cascade’s thunderous roar. A faster shutter speed seems to express the heaviness of the water and by extension, its power as well. Conversely, slower shutter speeds express lightness, grace, and fragility. Waterfalls and cascades with gentle water flows or elegant, stair-stepping design characteristics project an air of fragility and grace. That’s how I want those images to feel to my audience.

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A Passion Driven Life

In a commencement address to the graduating students of Stanford University, Steve Jobs recalled a quote he first read when he was 17.

“If you live each day as if it was your last, someday you’ll most certainly be right.”

 He went on to say that the quote stuck with him through most of his adult life and that he would look himself in the mirror each morning and ask himself, “If today were the last day of my life, would I want to do what I am about to do today?”

If the answer was “no” for too many consecutive days, he knew it was time for a change.

After waking up too many mornings with a resounding “no” reverberating through my own groggy head, I drove down to the office and promptly terminated a successful corporate career. My own. It was January 14, 2003 – ten years ago to this day – which also happened to be my birthday. Read the rest of this story on Insivity…

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Waterfall of the Gods

Waterfall of the Gods

This is Godafoss of northern Iceland, Waterfall of the Gods. In the year 1000, the formerly pagan chieftain Thorgeir threw his trinkets and wooden images of the pagan gods into these cascades after Christianity had been accepted as Iceland’s official religion. Godafoss, thus became it’s name.

My simple photographic interpretation of this grand waterfall was taken near twilight with no clouds in the sky and as little clutter in the foreground as possible. Nothing fancy, but I was drawn to the simplicity and color palette of the scene. The composition and wide-angle distortion could be misleading with regard to scale here. The waterfall is over 40 feet tall and 100 feet wide.

Canon EOS 5D MarkII, Canon 16-35 f/2.8 @ 20mm, 25 seconds @ f18, ISO 100. July 2012

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12 for ’12: The Year’s Best

It’s that time of year, once again, when we look back at the year that was and weigh our accomplishments. Well, you always hope that there are accomplishments worthy of looking back on. If nothing else, there’s always weighing the regrets.

Anyway, last year I posted my favorite images from 2011 – Eleven for ’11. Naturally, this year it’s 12 for ’12. They are all favorites of mine for a reason, although the reasons may not be so obvious to everyone else. Nonetheless, I’ll try to give some insight. So here they are listed in chronological order, starting this past January.

“Paradise Found”
Harrismith Beach, Barbados
January 21, 2012

Just another brutal day in paradise, I posted earlier in the year. I think what I liked best about this image is that it was completely secluded. I didn’t have to clone out a single human.

 

“Ahwahnee Dream”
Yosemite National Park, California, USA
February 15, 2012

One of my favorite things about this image is that it was taken from a very popular vantage point in Yosemite National Park. Still I was able to come away with something unique and original, thanks to the thickening fog in the valley.

 

“Red Patagonia Dawn”
Los Glaciares National Park, Argentina
April 6, 2012

The location, the light, and the effort to get there (I led three of my clients who opted for the backcountry extension to the Patagonia workshop up this steep, ice-covered trail to be here by sunrise) were all factors in this image making the cut.

 

“Crowning Glory”
Arches National Park, Utah, USA
May 18, 2012

The low-angled light sweeping over the textured sandstone, the dynamic leading lines, the cloud movement during this 30-second exposure make this a clear favorite of mine. I don’t practice many black and white conversions but I was surprised to find two in my favorites for 2012.

 

“Light Room”
Arches National Park, Utah, USA
May 21, 2012

I love night photography and Arches National Park is one of my favorite places to “do it in the dark.” Ok, shameless plug here: Night photography, Arches National Park, November 6-9, 2013. Thanks for listening.

 

“River of Light”
The Seine, Paris, France
June 24, 2012

Amazing sunset. Paris, France. What else is there to say?

 

“Chasing Magic”
Kirkjufellsfoss, Iceland
July 25, 2012

Persistance. I waited four nights in order to get light that I was looking for at this location. I was prepared for a 5th, if necessary.

 

“Blood Sport”
Katmai National Park, Alaska, USA
August 23, 2012

The Decisive Moment, as Henri Cartier-Bresson might describe this image. This is only one image frame in an entire sequence I posted back in September: Life and Death in Katmai.

 

“The Spine of Time”
Great Smoky Mountains National Park, Tennessee, USA
October 23, 2012

If I had a “home” national park, the Smokies would be it. This image captures the essence of the Great Smoky Mountains National Park perhaps better than any other I have taken in the past dozen years or so.

 

“The Lost City”
Machu Picchu, Peru
November 16, 2012

Rain, rain, and more rain with some impenetrable fog and gloomy skies – but for a brief 40-seconds of optimism. And I was ready.

 

“Winter’s Blush”
Horgardalur Valley, Iceland
December 9, 2012

This is as much sun and light as you will get in northern Iceland in December. But oh what lovely light it is…

 

“Midnight’s Children”
Trollaskagi Peninsula, Iceland
December 12, 2012

I had never seen the northern lights before, despite two previous summer trips to Iceland and two summer trips to Alaska. The aurora is what brought me to Iceland in the depths of winter and I was not disappointed.

Thanks for sharing 2012 with me.

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Happy Holidays

Horgardalur Valley in Northern Iceland

Warmest holiday greetings. Thanks for a great year!   –  Richard

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