Tag Archives: Nature Photography

2015 in Retrospect

It’s that time of year again to reflect on the year that was as a photographer: the lucky breaks, the missed opportunities, the long stretches of pulverizing boredom, the fleeting moments of ephemeral magic. That’s 2015, which is a pretty standard example of most years as a wildlife, travel, and nature photographer.

Looking over the choices of my personal favorites, I was somewhat surprised to see no verticals. I hope that’s not a trend and maybe it’s something to conciously consider as the calendar turns over to 2016. Aside from that, there are some very pleasant memories represented in these images. Good times. Good year. Enjoy.

 

Caption

“Cosmic Number 9” February 17, 2015. Inyo National Forest, California USA.

14 degrees Fahrenheit on a cold, still February night in the Eastern Sierra mountain range of California. The 4.5-hour exposure was almost worth being sick the following 3 days. Canon EOS 5D Mark III, Canon EF16-35 f/2.8L II USM @ 28mm, about 4 1/2 hours (15,861 seconds) @ f/3.2, ISO 100. © Richard Bernabe/Earth and Light

 

Giraffes reflected in sunset light, Etosha National Park, Namibia

“Mirage” May 25, 2015. Giraffes reflected in sunset light, Etosha National Park, Namibia.

The group of giraffes approached the water hole with great deliberation and caution – as they usually do – but this time with perfect sunset light reflected in the water. The symmetry, balance, and separation between each of the animals is what elevated this frame over the others, especially the giraffe on the right with its head and neck arched in the opposite direction from the group. I then flipped the image upside-down to give viewer a bit of a visual puzzle to work out. Canon EOS 7D Mark II, Canon EF24-70mm f/4L IS USM @ 64mm, 1/800 second @ f/4, ISO 2000. © Richard Bernabe/Earth and Light

 

Polar bears, Barter Island, Arctic National Wildlife Refuge, Alaska USA

“Faraway Eyes” October 8, 2015. Polar bears on Barter Island, Arctic National Wildlife Refuge, Alaska USA.

I knew that one of my polar bear images would make the favorites list for 2015, I just didn’t know which it would be. I suppose I eventually picked this one over the others because of the cub’s quizzical head posture and expression as our boat slowly backed away from the shoreline. Canon EOS 5D Mark III, Canon EF200-400mm f/4L IS USM @ 371mm, 1/800 second @ f/4, ISO 1000. © Richard Bernabe/Earth and Light

 

Gondolas parked for the night, Venice, Italy

“Venice Blues” July 26, 2015. Gondolas parked for the night, Venice, Italy.

Piazza San Marco in Venice is usually a raucous, crowded, noisy place. In the morning’s pre-dawn stillness, the only sound to be heard was the gentle rocking of the idle gondolas to the waves, which is captured as soft blurs in the long exposure. Canon EOS 5D Mark III, Canon EF EF16-35 f/4L USM @ 30mm, 13 seconds @ f/14, ISO 100. © Richard Bernabe/Earth and Light

 

Light Break

“Light Break” June 14, 2015. A lone oryx crests the ridge of a dune, Namib-Naukluft National Park, Namibia.

This image is all about fortuitous timing and LIGHT! Canon EOS 7D Mark II, Canon EF200-400mm f/4L IS USM w/1.4x extender @ 448mm, 1/160 second @ f/6.3, ISO 500. © Richard Bernabe/Earth and Light

 

Sea stacks along Iceland's southern coast.

“Njord’s Temple” September 25, 2014. Sea stacks along Iceland’s southern coast.

Iceland’s Reynisdranger basalt sea stacks are formidable and impressive from almost any angle you view them, but from the side – the angle you see here – they appear other-worldly if not dangerous. Still, without the rim light on the foreground rocks, I would have never even bothered to lift the camera to the tripod. This is one of those rare images where I knew it would be a black and white interpretation at the time I captured it. Canon EOS 5D Mark III, Canon EF24-70mm f/4L IS USM @ 55mm, 1/80 second @ f/16, ISO 500. © Richard Bernabe/Earth and Light

 

Last Stand

“Last Stand” November 14, 2015. Arches National Park, Utah USA.

The warm light on the dead juniper tree was so visually striking, especially against the shadow which was cast along the wall of Skyline Arch. I simply used the shadow’s edge as a frame to the tree while leaving out any of the sky, which is just out of the image frame along the top. Canon EOS 5D Mark III, Canon EF24-70mm f/4L IS USM @ 70mm, 1/80 second @ f/11, ISO 500. © Richard Bernabe/Earth and Light

 

A family of African elephants takes a drink at the water hole is late afternoon. Etosha National Park, Namibia

“Generations” May 25, 2015. A family of African elephants takes a drink at the water hole is late afternoon. Etosha National Park, Namibia.

The title I gave this image, Generations, refers to the relative size and position of each elephant in the frame. Of course these elephants may not represent distinct “generations” but it’s a nice thought anyway. The light comes from a soft glow on the western horizon just after sunset. Canon 5D Mark III, Canon EF200-400mm f/4L IS USM @ 316mm, 1/500 second @ f/4, ISO 800. © Richard Bernabe/Earth and Light

 

A shapely tree and spring reflections in the Little River, Great Smoky Mountians National Park, Tennessee USA

“Sang-froid” April 21, 2015. A shapely tree and spring reflections in the Little River, Great Smoky Mountians National Park, Tennessee USA.

While the tree was shaded by the mountain behind me, the river was getting some beautiful reflections from the illuminated forest on the other bank, giving the background a soft, lemony color wash. Canon EOS 5D Mark III, Canon EF70-200mm f/4L USM @ 126mm, 2 seconds @ f/20, ISO 100. © Richard Bernabe/Earth and Light

 

The surreal landscape of Deadvlei, Namib-Naukluft National Park, Namibia

“Dry Bones” June 14, 2015. The alien landscape of Deadvlei, Namib-Naukluft National Park, Namibia.

A stark and surreal landscape, Deadvlei never fails to inspire with an amazing array of compositional options. The best time is just after the pan falls to shadow and the surrounding dunes are lit from the low-angled sun. Canon EOS 5D Mark III, Canon EF70-200mm f/4L USM @ 168mm, 1/8 second @ f/18, ISO 250. © Richard Bernabe/Earth and Light

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The Great Smoky Mountains: Behind the Lens, Second Edition

I’ve just finished writing and assembling my newest ebook project, a second edition of my Great Smoky Mountains: Behind the Lens. So how is this version different from the first?

– More content (80 pages versus 42)

– Optimized for mobile devices and retina screens (hi-res, horizontal format, sized to fit the iPad)

– New locations, new essays, and more images

– Map of the Great Smoky Mountains with marked locations

– Same low price of $7.95. Wait, that’s not different.

For more information and how to buy your own, follow this link.

Just like the first edition, this ebook chronicles many of my favorite images from the Great Smoky Mountains. With each image there is a personal essay that gives some insight with regard to the photographic process I used, my personal experience when the image was created, or information and history about the location. You’ll learn more about landscape and wildlife photography, you’ll have a better understanding of the Smoky Mountains, you might cry, you might laugh, you might accidentally spit coffee all over keyboard.

Below is a sample of the book’s 80 pages. It’s really really hard to read so you might want to buy and download a full-sized copy for yourself. Enjoy!

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New Image Galleries on Website

One of the downsides to all my traveling lately is the lack of updating my website’s image galleries on a timely basis. I get many comments to that effect quite often, both in person and via email. Well now that I’ve had some time to catch my breath as well as some quality time in my home office, I’ve been able to catch up.

You can judge for yourself as to whether or not the effort was worth it: Earth and Light Galleries

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The Gentle Giants

Earlier this month, I traveled to Crystal River, Florida to capture the West Indian Manatee (Trichechus manatees) with underwater photo gear – essentially a underwater housing for my Canon 5D Mark III.  Following are a few of the photographic results from the trip plus some interesting manatee facts. Enjoy!

Canon EOS 5D Mark III in AquaTech underwater housing, Canon 14mm f/2.8, 1/125 second @ f/8, ISO 800

Manatee Fact #1: Sailors once believed these animals to be sirens from the deep, mythical mermaids coming to call. This certainly says less about the manatee’s obvious sex appeal (they are pretty cute, aren’t they?) and more about – well, how do I put this politely –  the sailors’ loneliness and desperation for companionship after being at sea too long.

Canon EOS 5D Mark III in AquaTech underwater housing, Canon 14mm f/2.8, 1/320 second @ f/8, ISO 800

Manatee Fact #2: Manatees cannot survive for long in water colder than 60 degrees F (15C). For this reason, they seek out warm water springs in to seek refuge from the frigid Gulf of Mexico during the winter months.

Canon EOS 5D Mark III in AquaTech underwater housing, Canon 14mm f/2.8, 1/30 second @ f/11, ISO 800

Manatee Fact #3: The manatee’s closest living relative is the elephant. By their appearance alone, I thought this to be a somewhat obvious fact but apparently it has something to do with the number of fingernails both species possess.

Canon EOS 5D Mark III in AquaTech underwater housing, Canon 14mm f/2.8, 1/125 second @ f/11 ISO 800

Manatee Fact #4: Manatees have no natural predators. The biggest hazard they encounter are the props from motor boats which has lead to them being included on the endangered species list.

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2013 in Retrospect #2

Me and my Shadow, Monument Valley, Arizona, USA. November 10, 2013

As with any good retrospective, it’s often therapeutic to cleanse oneself of the forgettable and embarrassing episodes from the previous year while embracing and carrying forward all that was good and true and hopeful. And while that’s true personally, the same can also be said of our society and culture in general. For example, in 2013 we can and should easily forget the painful and unnecessary government shutdown, the Sydney Leathers and Carlos Danger saga, twerking, the Harlem Shake dance craze, and Justin Beiber’s monkey, among many others. We can only hope these are mere one-hit wonders and not prone to unwelcome resurrections in the near future.

One fad that gained traction in 2013 and shows little sign of going away is the selfie. Unlike the refuse listed above, however, this one hits a little closer to home. Forget the inherent shallow narcissism involved, a selfie is still a form of photographic expression after all.

Selfie was named “Word of the Year” by the Oxford Dictionary which then goes on to define the word as (n.) a photograph that one has taken of oneself, typically with a smartphone or webcam and uploaded to a social media website. Yes, that’s the same Oxford as in the great university of England, not the town in Mississippi.

So you might be wondering, what’s the harm? Why, as a photographer, am I so down on the selflie? Well for one, if you have to take your own portrait, it could mean that you don’t have any friends to do it for you. So it could be that the selfie is actually a symptom of a larger personal problem. Then there’s the frequency issue. If you are taking and posting more than one per week, it could also be a manifestation of yet another issue that needs addressing. It should go without saying that selfies in your birthday suit broadcast to complete strangers on the Internet is, at a minimum, in poor taste. More for some than others.

Aside from those objections, I guess it’s harmless enough – maybe even a little fun. So here’s my selfie for 2013, just to show that I’m not entirely hostile to the idea. Just don’t expect an encore for at least another 12 months. Canon 5D Mark III, Canon 24-105mm f/4 @ 28mm, 1/30 second @ f14, ISO 100.

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