Tag Archives: Tennessee
I’ve just finished writing and assembling my newest ebook project, a second edition of my Great Smoky Mountains: Behind the Lens. So how is this version different from the first?
– More content (80 pages versus 42)
– Optimized for mobile devices and retina screens (hi-res, horizontal format, sized to fit the iPad)
– New locations, new essays, and more images
– Map of the Great Smoky Mountains with marked locations
– Same low price of $7.95. Wait, that’s not different.
For more information and how to buy your own, follow this link.
Just like the first edition, this ebook chronicles many of my favorite images from the Great Smoky Mountains. With each image there is a personal essay that gives some insight with regard to the photographic process I used, my personal experience when the image was created, or information and history about the location. You’ll learn more about landscape and wildlife photography, you’ll have a better understanding of the Smoky Mountains, you might cry, you might laugh, you might accidentally spit coffee all over keyboard.
Below is a sample of the book’s 80 pages. It’s really really hard to read so you might want to buy and download a full-sized copy for yourself. Enjoy!
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The image above was taken in April of this year in the Great Smoky Mountains National Park in Tennessee. This is an excellent example of what I try to teach my students when photographing waterfalls: We are not taking a portrait here. We are creating a landscape image with a waterfall as one of the elements. Walking up on the rocks and filling the frame with the waterfall would have been an easy thing to do but the end result would have been boring and banal. This composition includes the waterfall as a crucial element – as well as the primary focal point – but the image has an elegant visual design that goes beyond being just a portrait or documentary photo. Primarily, the flow of the stream and the placement of the rocks below the falls gets the eye moving back and forth through the frame giving it a dynamic quality that a static portrait would lack.
Speaking of workshops, there are two new workshops listed for the first quarter of 2014. For the 4th straight year, Ian Plant and I are leading another tour to Patagonia on March 10 – 19.
For the very first time, I am offering a Winter in Yellowstone photo tour and workshop in February that will combine the very best winter landscapes with wildlife photography. Jackson Hole professional wildlife photographer, Jared Lloyd will be my partner on this trip.
I’m sorry to announce that Arches and Canyonlands, Utah in November is now full, as is Acadia in October. Joe Rossbach and I still have a few openings for the Tetons in September so let me know if any of you have questions about this trip.
Last week I was listed as one of the top 100 travel photographers in the world for 2013 by ChiliSauce, a travel blog in the United Kingdom. When I made the announcement on Facebook and Twitter, as a courtesy to the the owner of the blog, I made the announcement with a controversial preface: the words, “For whatever it’s worth…..” This was met by more than a few emails and private messages by annoyed fans and followers. Most began with a mocking, “For whatever it’s worth….” and eventually got around to making the point that I was not being grateful or gracious about the “honor.” For whatever it’s worth, you’re acting like an ass.
Look, this is not merely false modesty on my part. I do appreciate being listed with at least 99 other very accomplished photographers. But the list is just one person’s opinion and there are some very conspicuous names missing as well as some people I’ve never even heard of. So that’s what it is, one person’s opinion and that’s about what it’s worth. Sorry to offend.
So now I’m off to Africa for two weeks. I’ll try my best to post some crappy phone images here as well as a report or two on how I’m doing. Be sure to Subscribe to Earth and Light to keep up with my latest travels realtime.
I’ve just returned home after spending twelve days in the Great Smoky Mountains National Park. Springtime in the Smokies is an annual rite of seasonal passage for me. The new season really hasn’t arrived until I’ve made my annual pilgrimage to these ancient mountains to watch the leaf buds break open and the many thousands of wildflowers bloom right before my very eyes. The Smoky Mountains I left behind was a very different place than what welcomed me a dozen days earlier.
During those twelve days, I led two workshop groups (one review of the experience you can read here) and led two private trips as well. During the private trips in particular I really tried to push the proverbial envelope in order to get new and unique images of a place I have photographed…..well, I can say honestly, many hundreds of times. In the process, I got soaked, muddy, frozen, and went tumbling down a 15-foot cliff onto some rocks without breaking any bones. A few bruises, cuts, and scrapes never hurt anyone and besides, I didn’t have my camera gear on me at the time. I had a filter in my hand, which I did not drop nor break, I am proud to report.
For the image above my client and friend, Lance Warley and I stood thigh-deep in the rushing water during a cold rain as each of us took turns shooting the scene while the other held an umbrella to keep the lenses dry. Lance, being the smarter photographer, wore waders while I experienced the full force of the icy water’s stinging wrath (when I said the water was “thigh deep” I might have been on the conservative side of the truth). During the fun and mayhem, one of my wading shoes became wedged between two rocks, dislodged from my foot, and floated downstream.
To help get out of the water, we each unknowingly grabbed a hairy poison ivy vine to help ourselves back up on the bank. After realizing the composition of the useful handhold, we washed our hands thoroughly after finding easier access to the water further downstream. There, miraculously, was my missing wading shoe sitting atop a midstream boulder – as if it was patiently waiting on me to arrive. All in a day’s work.
If you enjoyed this post, you might also enjoy my Smoky Mountains Online Gallery. Or you might also be interested in attending my Smoky Mountains Autumn Workshop this October. Or you can simply Subscribe to Earth and Light for more entertaining posts like this one.
It’s that time of year, once again, when we look back at the year that was and weigh our accomplishments. Well, you always hope that there are accomplishments worthy of looking back on. If nothing else, there’s always weighing the regrets.
Anyway, last year I posted my favorite images from 2011 – Eleven for ’11. Naturally, this year it’s 12 for ’12. They are all favorites of mine for a reason, although the reasons may not be so obvious to everyone else. Nonetheless, I’ll try to give some insight. So here they are listed in chronological order, starting this past January.
Just another brutal day in paradise, I posted earlier in the year. I think what I liked best about this image is that it was completely secluded. I didn’t have to clone out a single human.
One of my favorite things about this image is that it was taken from a very popular vantage point in Yosemite National Park. Still I was able to come away with something unique and original, thanks to the thickening fog in the valley.
The location, the light, and the effort to get there (I led three of my clients who opted for the backcountry extension to the Patagonia workshop up this steep, ice-covered trail to be here by sunrise) were all factors in this image making the cut.
The low-angled light sweeping over the textured sandstone, the dynamic leading lines, the cloud movement during this 30-second exposure make this a clear favorite of mine. I don’t practice many black and white conversions but I was surprised to find two in my favorites for 2012.
I love night photography and Arches National Park is one of my favorite places to “do it in the dark.” Ok, shameless plug here: Night photography, Arches National Park, November 6-9, 2013. Thanks for listening.
Amazing sunset. Paris, France. What else is there to say?
Persistance. I waited four nights in order to get light that I was looking for at this location. I was prepared for a 5th, if necessary.
The Decisive Moment, as Henri Cartier-Bresson might describe this image. This is only one image frame in an entire sequence I posted back in September: Life and Death in Katmai.
If I had a “home” national park, the Smokies would be it. This image captures the essence of the Great Smoky Mountains National Park perhaps better than any other I have taken in the past dozen years or so.
Rain, rain, and more rain with some impenetrable fog and gloomy skies – but for a brief 40-seconds of optimism. And I was ready.
This is as much sun and light as you will get in northern Iceland in December. But oh what lovely light it is…
I had never seen the northern lights before, despite two previous summer trips to Iceland and two summer trips to Alaska. The aurora is what brought me to Iceland in the depths of winter and I was not disappointed.
Thanks for sharing 2012 with me.
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