Tag Archives: Winter
The image above was taken in April of this year in the Great Smoky Mountains National Park in Tennessee. This is an excellent example of what I try to teach my students when photographing waterfalls: We are not taking a portrait here. We are creating a landscape image with a waterfall as one of the elements. Walking up on the rocks and filling the frame with the waterfall would have been an easy thing to do but the end result would have been boring and banal. This composition includes the waterfall as a crucial element – as well as the primary focal point – but the image has an elegant visual design that goes beyond being just a portrait or documentary photo. Primarily, the flow of the stream and the placement of the rocks below the falls gets the eye moving back and forth through the frame giving it a dynamic quality that a static portrait would lack.
Speaking of workshops, there are two new workshops listed for the first quarter of 2014. For the 4th straight year, Ian Plant and I are leading another tour to Patagonia on March 10 – 19.
For the very first time, I am offering a Winter in Yellowstone photo tour and workshop in February that will combine the very best winter landscapes with wildlife photography. Jackson Hole professional wildlife photographer, Jared Lloyd will be my partner on this trip.
I’m sorry to announce that Arches and Canyonlands, Utah in November is now full, as is Acadia in October. Joe Rossbach and I still have a few openings for the Tetons in September so let me know if any of you have questions about this trip.
Last week I was listed as one of the top 100 travel photographers in the world for 2013 by ChiliSauce, a travel blog in the United Kingdom. When I made the announcement on Facebook and Twitter, as a courtesy to the the owner of the blog, I made the announcement with a controversial preface: the words, “For whatever it’s worth…..” This was met by more than a few emails and private messages by annoyed fans and followers. Most began with a mocking, “For whatever it’s worth….” and eventually got around to making the point that I was not being grateful or gracious about the “honor.” For whatever it’s worth, you’re acting like an ass.
Look, this is not merely false modesty on my part. I do appreciate being listed with at least 99 other very accomplished photographers. But the list is just one person’s opinion and there are some very conspicuous names missing as well as some people I’ve never even heard of. So that’s what it is, one person’s opinion and that’s about what it’s worth. Sorry to offend.
So now I’m off to Africa for two weeks. I’ll try my best to post some crappy phone images here as well as a report or two on how I’m doing. Be sure to Subscribe to Earth and Light to keep up with my latest travels realtime.
May 13, 2013
It’s that time of year, once again, when we look back at the year that was and weigh our accomplishments. Well, you always hope that there are accomplishments worthy of looking back on. If nothing else, there’s always weighing the regrets.
Anyway, last year I posted my favorite images from 2011 – Eleven for ’11. Naturally, this year it’s 12 for ’12. They are all favorites of mine for a reason, although the reasons may not be so obvious to everyone else. Nonetheless, I’ll try to give some insight. So here they are listed in chronological order, starting this past January.
Just another brutal day in paradise, I posted earlier in the year. I think what I liked best about this image is that it was completely secluded. I didn’t have to clone out a single human.
One of my favorite things about this image is that it was taken from a very popular vantage point in Yosemite National Park. Still I was able to come away with something unique and original, thanks to the thickening fog in the valley.
The location, the light, and the effort to get there (I led three of my clients who opted for the backcountry extension to the Patagonia workshop up this steep, ice-covered trail to be here by sunrise) were all factors in this image making the cut.
The low-angled light sweeping over the textured sandstone, the dynamic leading lines, the cloud movement during this 30-second exposure make this a clear favorite of mine. I don’t practice many black and white conversions but I was surprised to find two in my favorites for 2012.
I love night photography and Arches National Park is one of my favorite places to “do it in the dark.” Ok, shameless plug here: Night photography, Arches National Park, November 6-9, 2013. Thanks for listening.
Amazing sunset. Paris, France. What else is there to say?
Persistance. I waited four nights in order to get light that I was looking for at this location. I was prepared for a 5th, if necessary.
The Decisive Moment, as Henri Cartier-Bresson might describe this image. This is only one image frame in an entire sequence I posted back in September: Life and Death in Katmai.
If I had a “home” national park, the Smokies would be it. This image captures the essence of the Great Smoky Mountains National Park perhaps better than any other I have taken in the past dozen years or so.
Rain, rain, and more rain with some impenetrable fog and gloomy skies – but for a brief 40-seconds of optimism. And I was ready.
This is as much sun and light as you will get in northern Iceland in December. But oh what lovely light it is…
I had never seen the northern lights before, despite two previous summer trips to Iceland and two summer trips to Alaska. The aurora is what brought me to Iceland in the depths of winter and I was not disappointed.
Thanks for sharing 2012 with me.
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December 27, 2012
Well, not exactly. But it sure felt as if I was standing on top of the world.
After leading three of our workshop clients from Camp Poincenot to the base of Laguna de los Tres in Los Glaciares National Park in Argentina, we had little time to spare in coming up with suitable compositions before the first light struck Fitz Roy and the other impressive spires of this mountain range. While we had experienced steady rain in the lower elevations of camp and the village of El Chalten, the steep trail to this location was covered in a foot of new snow and a thin coating of ice, making it even more treacherous than normal. The hike in the early morning darkness took nearly twice the allotted time, so we didn’t have the luxury of really working the scene before the sun rose. Thus, this was the best I could come up under the pressure of having to come up with something.
The three rocks in the foreground provided a balanced, symmetrical foreground. The exaggerated curvature of the wide-angle distortion added a feeling of really being on the very top of the world. The lakes below are Lago Sucia (left) and Laguna de los Tres (right) but the cold, stiff winds negated any chance of a composition with a reflection in either.
When the sun did come up, we experienced some of the most intense alpenglow on the peaks I had ever seen. It only lasted five minutes or so before clouds obscured the light and it was over. The hike back down to camp was even more of an adventure and we all experienced a few bumps and bruises along the icy trail. Before we returned to Poincenot, it was snowing once again.
Canon EOS 5D Mk2, Canon 16-35 f2.8II @ 16mm, 0.3 second @ f16, ISO 160
May 9, 2012
Cape Hatteras Lighthouse near Buxton, North Carolina. This image was created during a recent photography workshop in the Outer Banks of coastal North Carolina as I demonstrated nighttime photography and star trail techniques.
Cape Hatteras Lighthouse, Cape Hatteras National Seashore, Buxton, North Carolina; Canon EOS 5D Mk2, Canon 17-40L @ 20mm, 21 minutes at f4 ISO 200
February 4, 2011
This image was taken on January 19, 2011 while leading a photography tour in Eastern NC with fellow photographer and business partner, Jerry Greer. This is a composite of 5 vertical images stitched together using Adobe Photoshop CS5′s Automerge feature. The moon was not a part of the composite process: It was there, it was real, and it was spectacular!
The image is then straightened, cropped (to my preferred panoramic aspect ratio of 3:1) and saved. The native file size (before any enlarging) is 48″ x 16″ @ 300ppi. The details are simply amazing: every bird and tree branch are visible and sharp when viewed at 100 percent.
Mattamuskeet National Wildlife Refuge, North Carolina
Canon EOS 5D mk2, Canon 70-200 f2.8 @ 150mm, 1/20 second @ f8, ISO 250 for all 5 images.
January 30, 2011